When re-inventing a musical legend, let Cat Power do it. Her voice has grace and is powerfully stirring
Presented by: Adelaide Festival
Reviewed: 10 March, 2025
Brilliant is how I would describe Cat Power’s performance at Her Majesty’s Theatre. Her rendition of Dylan’s classics, including Like a Rolling Stone and Mr. Tambourine Man, was not just a cover but a unique interpretation that breathed new life into these timeless songs, offering a fresh perspective to the audience.
The audience was silent, holding their breath as we eagerly awaited Cat Power’s first words. The anticipation was palpable, and we were all on the edge of our seats, feeling excited and engaged.
Whether you think Bob could or could not sing, there is no denying that his songs are punchy and passionate, so much so that they still resonate with people today. Cat Power’s unique interpretation not only does justice to these classics but also evokes a sense of nostalgia, making us appreciate the beauty in his words and want to hear more of her musical interpretation.
Her voice and stage presence entice you into her world of Dylan and entice me; they did, leaving us captivated and immersed in the performance.
As with the 1966 concert, she changed from acoustic to electric guitar. This was one of many strokes of genius people at the original concert who were lucky enough to witness had the folk purists not heckled Dylan; instead, enjoyed how fortunate they were to enjoy two different concerts from the eccentric Dylan.
The second half of the concert was when I couldn’t help but dance in my seat. Fortunately, the two ladies next to me, clearly fans of Cat Power and Bob Dylan, were movers, so we happily bounced around in our seats as Cat sang songs like the lesser-known Leopard Skin Pillbox Hat.
This was the only concert in Adelaide, so to those who didn’t buy themselves a ticket, you missed a singer who covers Dylan perfectly and can sing his words as if they were her own. Last night, they were. Thank you, Cat, for bringing Bob Dylan to Adelaide.
Reviewed by Anastazija Hankins
Venue: Her Majesty’s Theatre
Season: 10 March 2025
Duration: 90 minutes, no interval
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