Adelaide Festival Archives • Page 5 of 10 • Glam Adelaide

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Adelaide’s Wakefield Press launches new dedicated YA list

Adelaide's own Wakefield Press, which turns 30 in 2019, is launching a dedicated new list for YA books.

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Festival Review: Grand Finale

Grand Finale, what an apt title for such an eclectic and exciting piece of work

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Festival Review: Foehn

Foehn- the name given to a warm, dry wind that occasionally blows down from the Alps sets the scene for a performance...

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Festival Review: Ulster American

This play sings, it gallops along at a pace that threatens to throw you off the bus if you don’t keep up....

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Festival Review: Aquilonis

It is so good to hear a Capella singers without any assistance or interference from sound systems.

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Festival Review: Mahler Chamber Orchestra: Program 1

The program for this evening included Schubert’s Symphony No. 3 in D major and Bruckner’s Symphony No 4 in E-flat major, together...

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Festival Review: Man With the Iron Neck

Man With the Iron Neck will have you gasping in wonder at its high-flying actors one minute and wrenching at your heart...

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Festival Review: Carmen

Passion and drama are always associated with Carmen and Artistic Director Aaron S Watkin has made sure this production is seeped in...

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Festival Review: Two Jews Walk Into A Theatre

This is experimental theatre, no fixed dialogue, just general directions in which the conversation may go.

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Festival Review: A Man of Good Hope

Part up-beat musical, part theatrical opera, part fable, part epic Hollywood drama – A Man of Good Hope brings to the stage...

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Festival Review: By Heart

As we walk into the Odeon Theatre, performer Tiago Rodrigues is already on stage. A simple, white floor, has been dressed with...

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Festival Review: Violet Ballet

This World Premiere displays the intricate work of South Australian born artist Sally Smart. Her continued interest in the avant garde style...

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Festival Review: Sretensky Monastery Choir

There is nothing that compares to the sound of a male voice choir singing a Capella. The language doesn’t really matter, the...

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Festival Review: Palmyra

Palmyra was inspired by the destruction of the ancient city in Syria by Isis and the concert which was held in the...

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Festival Review: Two Feet

Two Feet brings world-class classical ballet to Adelaide, led by legendary Russian ballerina Natalia Osipova in what is a triumphant solo performance.

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Festival Review: Schuldfabrik

Forget Lush and L’Occitane - get ready to clean off the stains of first-world guilt with Schuldfabrik, a new combination of beauty,...

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Festival Review: Counting and Cracking

An epic journey that spans four generations from the urban battlefields of Sri Lanka to Sydney’s Pendle Hill, from Columbo to Coogee.

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Festival Review: Baba Yaga

Co-creators Christine Johnston, Rosemary Myers and Shona Reppe, working with Windmill Theatre Co and Imaginate, Scotland have produced a terrific modern version...