OzAsia Festival
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982OzAsia Festival Review: Nassim
Most people think of experimental theatre as challenging and polarising but as Nassim proves, it can also be whimsical, funny and deeply...
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855OzAsia Film Review: Sulieman Mountain
Sulieman Mountain is a potently comic, gritty, gripping cinematic metaphor exploring experiences of profound dislocation between authentic local Kyrgyzstan culture and overbearing...
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937OzAsia Festival Review: While I Was Waiting
Set in Damascus in 2015, While I Was Waiting portrays a family - and a country -in limbo.
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1.3KOzAsia Festival Review: Here is the message you asked for… don’t tell anyone else
A portrait of digital disconnection and narcissistic technological practices, Here is the message you asked for… don’t tell anyone else ;-) lures...
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1.2KOzAsia Festival Review: Baling
A significant time in Malaysia’s history is captured through the unique storytelling composition of Baling, unravelling the events of the 1955 ‘Baling...
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1.0KOzAsia Festival Review: Salt
Indonesian performer and choreographer, Eko Supriyanto (also known as Eko Pece), returns to Oz Asia with his solo performance, Salt, an entrancing...
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1.3KOzAsia Festival Review: Dancing Grandmothers
In 2010 Korean choreographer Eun-Me Ahn took some of her dancers and three cameras, travelling around the country. On their journey they...
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1.4KOzAsia Festival Review: Guru of Chai
An Indian tale of epic proportions is told through the enthusiasm and brilliance of a single actor, leaving the audience in hysterics...
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1.3KSNEAK PEEK Into OZASIA’s Biggest Lineup To Date
Get excited for the explosion of culture and festivities that will grace the Adelaide Festival Centre in October with perennial favourite OzAsia...
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811OzAsia Festival Review: The Ongals
This weekend OzAsia welcomes The Ongals, the South Korean comedy troupe spectacular we never knew we were missing. The Ongals consist of...
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1.0KOzAsia Review: The End
The End features Hatsune Miku who is an internationally renown pop star with fans across the globe, including the show’s composer Keiichiro...
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1.3KGallery: OzAsia Moon Lantern Festival VIP Event
All the photos from the Moon Lantern Festival VIP Event.
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792OzAsia Festival Review: Scary Beauty (Meeting Points)
Scary Beauty is a vocal performance like no other as, backed by the Australian Art Orchestra, the audience is sung to by...
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1.1KOzAsia Review: The Bombay Royale
Formed in 2010, Bombay is led by Andy Williamson (“The Captain”) on sax. Lead vocals are delivered by Parvyn Kaur Singh (“Mysterious...
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819OzAsia Festival Review: Seoul Meets Arnhem Land: Ecstatic Voice (Meeting Points: South Korea/Arnhem Land)
Backed by the Australian Art Orchestra, Seoul Meets Arnhem Land brings together South Korean performer, Bae Il Dong, and Indigenous Australian singer,...
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1.1KOzAsia Review: Shonen Knife & Satan’s Cheerleaders
Japanese pop-punk band, Shonen Knife, now in their 36th year of releasing music and touring worldwide, grace the stage in Adelaide as...
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652OzAsia Festival Review: Hotel
Singaporean theatre company W!ld Rice has created a sprawling epic, which gives audiences a journey through the last 100 years of Singapore...
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785OzAsia Review: Specific Places Need Specific Dances
Darlane Litaay of Papua and Tian Rotteveel of the Netherlands are edgy, contemporary dancers and choreographers.
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831OzAsia Review: Hot Brown Honey
The basic background for the show is that it’s an all female production that uses ideas around gender and race to present...
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1.1KOzAsia Review: Enrique de Dios
The wonderful Lucky Dumpling Market plays host this year to a bevvy of fine musical artists, all appearing for free
