OzAsia Festival
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823OzAsia Review: Electric Fields
Electric Fields took to the Little Dumpling Market stage with a simple set up of a few microphones, a keyboard and a...
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849OzAsia Review: Until The Lions
As a teenager, Akram Khan performed in Peter Brook’s seminal work Mahabharata. Now in middle-age, and with residencies at Sadler’s Wells London...
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857OzAsia Review: Recalling Mother
Claire Wong and Noorlinah Mohamed are long-time friends and collaborators in the performing arts. Both hailing from Singapore, they embody the cultural...
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713Win A Double Pass To 1 Of 3 Amazing Gigs At Lucky Dumpling Market
Win a double pass to one of three amazing gigs at Lucky Dumpling Market - In Between Two on Friday Oct 6...
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617OzAsia Festival Review: God Bless Baseball
'God Bless Baseball' portrays the history of baseball in Japan and Korea through a slow-moving and deliberate piece of theatre.
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761OzAsia Festival Review: Sk!n
Presented by Terryandthecuz Reviewed 30 Sept 2016 Wild weather meant that many of Sk!n‘s performances had to be cancelled and that is undoubtedly...
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629OzAsia Festival Review: Vertigo 20
Founded in 1992 by Noa Wertheim and Adi Sha’al, Vertigo Dance Company is the premiere, contemporary dance ensemble of Israel.
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575OzAsia Festival Review: Two Dogs
Presented by Adelaide Festival Centre Reviewed 30 SepT 2016 With it’s official opening night performance cancelled last night due to the infamous...
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1.1KOzAsia Festival Review: Phare Circus
Phare Circus performers are graduates of the Phare Ponleu Selpak Circus School, established in 1994 after the end of the Khmer Rouge...
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725OzAsia Festival Review: Bunny
Award winning artists and performers, Daniel Kok of Singapore and Luke George of Australia, have collaborated on this extraordinary work.
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822OzAsia Festival Review: As If To Nothing
Working to a cacophony of static white noise that eventually transforms into hypnotic electronic music, the dancers of As If To Nothing show an...
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1.3KAll Adelaide Needs Is A Bit Of Good Fortune…
It will put a smile on your face to walk around the magical Good Fortune Markets for the coming 9 days of...
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683OzAsiaFestival Review: The Record
'The Record' was originally produced in 2013, and sees its Australian premiere at OzAsia this year. This piece brings together 45 people,...
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1.1KOzAsia Interview: Sang Ji Jia-Choreographer Of ‘As if To Nothing’
As far as dream stories go, the journey of Tibetan-born Sang Jijia from a child shepherd growing up in the country to...
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954Why You Need To Make Ngaiire Your Music Priority For Oz Asia
The music industry, as a general rule, loves to make grand and sweeping statements when it comes to the trajectory of artist’s...
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1.0KOzAsia Interview: Meng Jing Hui- Writer/Director of Two Dogs.
The incredibly popular Director Meng Jing Hui is back in Australia as part of OzAsia with theAustralian Premiere of his play...
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1.6KEverything You Need To Know About Food At The Good Fortune Market
Following the massive success of the Alpine Winter Village, the coming Good Fortune Markets are offering up an authentic Asian street market...
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715OzAsia Review: Water Pushes Sand
Few words can do justice to the magnificence that was the premier of Water Pushes Sand.
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928Oz Asia Review: Dear John
Dedicated to composer John Cage, Artistic Director Fu Hong Zheng’s production of Dear John is unique and creative marriage of multi-disciplines, resulting...
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955Don’t Miss The Last Of The OzAsia Festival As It Draws To A Close This Weekend
The OzAsia Festival has brought the best of Asia to Adelaide, from fabulous shows, theatre and performances to the amazing Night Noodle...
