The Australia China International Film Festival recently wrapped up in Adelaide, leaving a trail of excitement and anticipation for future collaborations between the two countries’ film industries. The festival showcased China’s booming film scene and provided a platform for filmmakers from both nations to explore new avenues for cross-cultural partnerships. One of the major highlights was the debut of the Chinese cultural monster movie, “Nian,” which generated significant buzz amongst leading producers and filmmakers.
Li Dong, the Consul General of China in Adelaide, spoke about the growing cultural exchange, stating that “the film festival is an effective tool to promote mutual understanding between the two countries and a good way to showcase the richness of Chinese culture.” He added that the diverse selection of Chinese films offered Australian audiences a genuine glimpse into contemporary China.
Former Australian Minister for Trade, Investment, and Tourism, Andrew Robb, advocated for policies that encourage international film productions in Australia, particularly from China. Robb highlighted Australia’s “rapidly developing film industry and good infrastructure,” including major film and TV production bases in Queensland, Sydney, Melbourne, and Adelaide. These facilities have previously hosted global hits like “Aquaman” and “Pirates of the Caribbean.”
Tony Coombs, CEO of Harvest Pictures Group, who has been facilitating film exchanges for over a decade, signed a memorandum of cooperation with Chinese film industry representatives to adapt the “Shanhaijing” into a film project. “I am excited to be working with such talented writers as Liu Yi. China has a rich history of storytelling and working together with Australia will enhance this.”
The signing ceremony for “Nian,” a film based on ancient Chinese myths, saw renowned screenwriter of “Wolf Warrior 1” and “Wolf Warrior 2,” Liu Yi, partnering with Coombs to bring the story to international audiences. Coombs also noted the increasing global interest in Chinese-themed film and television content, citing examples like “Black Myth Wukong” and “The Three-Body Problem” which have captured international attention.
Another effort fusing of traditional Chinese culture with modern entertainment is “The Beast” project, a joint effort between Australia and China. With the involvement of major international production talent and companies, the project aims to create a lasting cultural legacy akin to “Godzilla” or “Pokémon.” “The Beast” will encompass films, games, and animation, with a focus on global distribution.
The “Nian” project holds immense promise for Sino-Australian collaboration, with the first concept images and pilot film slated for global release in 2025. The festival marks a significant step in the ongoing exchange between the two countries’ film industries, and the continued collaboration is poised to shape the future of international cinema.
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