Film & TV

Film Review: Farewell, Mr. Haffmann

Jeweller Joseph Haffmann sells his shop to his employee when he attempts to escape Nazi Germany. Circumstances find him unable to leave, hiding in the basement, and relying on the good graces of his former employee.

Without giving anything away, this film has it all. The twist and turns in this film, which ends at just the right moment, leaves the audience walking away completely fulfilled. The testament being it having already won the Audience Prize for Best Film at the 2021 Sarlat Film Festival.

Set in 1941 in Paris, Daniel Auteuil as the skilled Jewish jeweller and shop owner Mr Haffmann, sends his family to safety, with the intention of joining them after transferring the family shop and residence to his employee, Francois Mercier (Gilles Lellouche). In exchange for the transfer, Mercier will return the shop to Haffmann once the war is over. Unexpectedly, the Germans occupy the town sooner and Haffmann is forced to stay, with Mercier and his wife Blanche (Sara Giraudeau) now becoming his protectors.

The film is based on a play by Jean-Philippe Daguerre and directed by Fred Cavaye.

It has a unique and unpredictable plot, rich with questions on ethics and character. Does war change a person, or was the person already who they were under a different set of circumstances? Who remains true to their core when changes in power, money and fear come into play? How much does one ego affect who they are? What does one do when in fear?

Haffman remains true to himself; despite the circumstances he finds himself in. His calm and constant presence, was much communicated in actor Autueilā€™s silence, looks and stares. It is in marked contrast to Mercier. Mercierā€™s behaviour changes throughout the film in stages, as his position in life improves. Blanche, who in many ways appears passive, is well performed by Giraudeau, who successfully expresses her beautiful nature whilst at the same time navigates losing her innocence.

Outstanding performances by all three lead actors. Backed up by Christophe Julienā€™s music, the constant state of anxiety that the three protaganists live in throughout the time of the war is enhanced. Nikolai Kinski, by comparison, is smooth, slick and powerful as German Commandant Junger. The costume set and scenes of him in extravagance complement his character.

Ā Farewell, Mr Haffman is an intense and amazing film of an irredeemable pact, yet throughout the film we see empathy, love, and kindness. Suitable for any audience and one not to be missed.

Farewell, Mr Haffman opens on April 28th

Outstanding film in every way possible 5 stars

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