Arts

Music Review: Mahler 4 Sibelius 6-Australian Chamber Orchestra

The Australian Chamber Orchestra channelled rival composers Gustav Mahler and Jean Sibelius at the Adelaide Town Hall on Tuesday evening with Artistic Director Richard Tognetti masterfully conducting a supersized ACO as part of their national tour.

Screen Shot 2014-06-26 at 11.13.57 AMThe Australian Chamber Orchestra channelled rival composers Gustav Mahler and Jean Sibelius at the Adelaide Town Hall on Tuesday evening with Artistic Director Richard Tognetti masterfully conducting a supersized ACO as part of their national tour.

If not for the anticipation of the promised great symphonies on the billing, the surprise Rebecca Chan gave us would have been a splendid (if short) concert on itā€™s own. Chan led violinists Ilya Isakovich and Gosia Loboda, and Alexandru-Mahai Bota (viola) and Julian Thompson (cello) in a gorgeous, non-programmed version of Sibeliusā€™ Serenade Op. 69 no. 2, unveiling the newest member of the Australian Chamber Orchestra; a 1714 Joseph Guarneri filius AndreƦ violin. Formerly owned by Isolde Menges, Chan introduced the violin with a fascinating history, producing awe-inspiring timbre, as the quintet set the musical landscape; a taste of more beauty to come.

Sibelius, himself an accomplished violinist, said his Symphony no. 6 in D minor, Op. 104, ā€œā€¦ always reminds me of the scent of the first snow.” The romance of the charming sentiment was not lost on the larger-than-normal chamber orchestra in this performance; the exquisite lightness achieved by the strings in the first movement Allegro molto moderato, superb.

Post-interval saw a barely perceptible shift from the sublime to the ridiculously good. Expectations were high for Mahlerā€™s ā€œHeavenlyā€ Symphony No 4 in G, and the ACO delivered with wings. The devil was in Mahlerā€™s delicate details, which were exquisitely revealed in the recurring ā€˜bell themeā€™, and Tognettiā€™s violin solo (whilst conducting) during the second movement scherzo.

In the final movement, Sehr behaglich (Very comfortable), soprano Kiera Duffy, wearing a sfogliatelle inspired black gown that perfectly matched her sweet voice, delivered Das himmlische Leben (The Heavenly Life). Her appropriately child-like demeanour and clarity of diction made for an impressive conclusion.

Watching how much the orchestra enjoyed themselves throughout this show added immensely to the live concert experience; rapturous joy reflected on expressive faces was delightful to see (theyā€™re welcome round mine for Friday night poker anytime).

This was an extremely well chosen program, which metered out the passion and expertise of the Australian Chamber Orchestra in a thrilling tale of two symphonies.

The final three performances of this program are in Sydney this week; 27 ā€“ 29 June. Tickets from ACO.

Reviewed by Gordon Forester
Twitter: @GordonForester

Venue: Adelaide Town Hall
Season: 24 June 2014
Duration: 2 hours
Tickets: $45 – $106
Bookings:Ā Australian Chamber Orchestra

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