We enter the ecclesiastical gloom of the Bonython Hall. Dim blue lights glow from the far-off stage. As is only proper, the choir processes into the venue. We hear them behind us, singing a segment of the Hallelujah Chorus from Handel’s Messiah, as they make their way to the stage. They sound great, although the words seem unfamiliar. Banners, carried by two children, proclaim “Stop Shopping: Earthalujah!”
Not so much a punchline gig, more so like sitting with a friend over a glass of wine and talking trivially about the trials and tribulations of life.
Opening with the Four Seasons classic Oh What a Night, the Boys in the Band let the audience know what they were in for!
Aboard the Airship Adelaide, murder is afoot and the race is on to see who can solve the crime.
The silent disco goes mobile as participants sing and dance along Rundle Mall, but only they can hear the music!
A man wandering through his memories, trying in his own way to change the past but knowing the result will be the same. He makes excuses, he explains, but he knows that the past is past, the only thing that changes is the way we view it.
Just Desserts- Adults Only Tasting is Michelle Pearson’s second show for this Adelaide Fringe season and it is simply delicious. Turning many well known ballads into her own, Michelle takes you through a journey of empowerment and a tantalising sugar rush.
Odette dances with a mop, has a conversation with a picture or two, re-enacts a couple of scenes from The Bold and the Beautiful, has a confrontation with the father of her baby, turns the audience into ducks, frogs and other assorted critters and genuinely surprises us at every turn
Sir David regales us with many interesting facts (and a little fiction) about the world's fauna and Mankind (Australians in particular)
Alice Springs Comedy Showcase brings to the Fringe Simon Cheers, Chris Little, Amna Bee and Prince Pout III, all the way from the red centre for an early evening laugh at the Griffins Hotel.
YouTuber and stand up comedian Jordan Shanks returns to Adelaide with his sold out show, Why John Howard REALLY sucked. Upon leaving you might end up thinking, well, he's not wrong.
Adam Page is the musician’s musician. The ubiquitous multi-instrumentalist pops up in myriad genres and combos, including orchestral, band and solo work. His Fringe shows are consistently popular, but this year, instead of his usual one-man offering, he is bringing an extra man in the guise of Tim Bennett.
Simon Wright brings a new sense of comedy and physical theatre to the Bally at Gluttony for his Adelaide Fringe show Totally Plucked.
The year is 2100. The Earth has been entirely obliterated and Humankind along with it - except for one man, American Astronaut Captain James Briggs. Thus begins Cut Mustard's space opera/odyssey 2100: A Space Novelty
Should you be looking for Fringe entertainment which considers biochemistry, neuroanatomy, the effects of neurotransmitters, and why loneliness can kill, this is your show.
From the moment Dolly Diamond strides out onto the stage clad from head to toe in a glittering black sequined dress, balancing elegantly on stylish black sequined follow me homes and the most beautifully crafted wig al la Marilyn to the strains of Love Is In The Air you know you’re in for a great hour of entertainment.
The ideas behind Which-craft? are brimming over with possibilities to satirise the now somewhat stale ideas we are offered on, the misnamed, ‘Reality TV’.
American clown Zach Zucker has changed into Jack Tucker, world's worst stand-up comedian for this year's Fringe