Next January, the summer heat, and Serafino Winery will make the perfect playground for one of South Australia's most anticipated festivals.
And he's already working with local, national and international talent for the new-era annual RCC Fringe.
For the third year, the three-day contemporary music festival is coming to Adelaide to celebrate inclusivity.
Kosky and his multi-award-winning opera company, the Berlin-based Komische Oper will make a triumphant return to the 2019 Adelaide Festival with its most popular and joyous masterwork, Mozart’s The Magic Flute. Following its Berlin premiere in 2012, The Magic Flute has won Opera World Awards, accumulated rapturous reviews and played to over half a million people in 22 cities across Europe, America […]
Spin Off Festival 2018 took place in the Jubilee Pavilion at the Adelaide Showgrounds on Friday July 20th and featured an absolutely amazing programme consisting of the best of this year’s Splendour in the Grass acts in an exclusive one day only mini festival and it was truly a banger.
The performance is by turns poignant,tragic and amusing but always a tour de force. Written and performed by Amer Hlehel, the play tells the story of Palestian poet Taha Muhammed Ali.
Whilst studying, at the Theatre Academy in Maastricht, Nick Steur attracted an audience when he was playing around with rocks and saw the full potential of this as performance art. He graduated in 2011 and has been producing complex sculptural pieces ever since.
The event is a concert performance of Brahms’ German Requiem. It is to be sung by an elite choir, Rundfunkchor Berlin, accompanied by piano (four-hands). The event is headed Human Requiem, and Jochen Sandig, the man who first conceived its unique presentation, uses this famous choral piece to highlight community, ritual, sharing, humanist principles and connectedness.
The one off performance of Lee Fields and The Expressions at the Adelaide Festival marked the beginning of their Australian, NZ and USA tour to promote their new album Special Night.
Having its world premiere at Her Majesty’s Theatre for this year’s festival, Fla.Co.Men is an often astounding piece of work.
When the Adelaide Festival booked Lior to perform the newly commissioned Chamber version of Compassion, he found that he was on stage with that show for two performances with a two-day gap in between. So what better idea than to do a one man gig on the Saturday night?
This is gripping theatre without a momentary lag or missed beat.
In the pleasant surroundings of the Ukaria Cultural centre this concert opens with the Bach piece ‘Erbarme dich’ – Have mercy my God from the St Matthew’s Passion
This world premiere performance is a charming, accessible, entertaining and cleverly educational show which deserves to be seen, heard and enjoyed by children and their carers for many years to come.
What a feast of glorious music in the wonderful setting of St Peter’s Cathedral.
Iowa-born Mike Hadreas—alias Perfume Genius—oozed sex appeal and cool confidence in a dreamily executed performance last night at the Riverbank Palais
Anne Sofie von Otter has the voice and the stage presence to move armies.
The 2018 Adelaide Festival Awards for Literature winners were announced over the weekend as part of Adelaide Writers' Week, with a South Australian author taking out the prize for the first time.
The original show was commissioned by the Brighton Festival (UK) for their 40th anniversary in 2006 and was devised by Luke Cresswell and Steve McNicholas, in the tradition of their earlier smash hit STOMP.
Watch and marvel as these Australian talents bring ancient tragedy to life in Thyestes.