A parodic take on a classic Conan-Doyle mystery with quality performances and laughs all round
Another St Jude’s success and very well worth seeing
Jeffery Archer’s first play begins as a courtroom drama, but develops into much more.
Director Sue Wylie has lovingly brought to life Brenton Whittle’s easy-going reflection on death in Well, Shut My Mouth. This new local play, boasting a confident and cohesive cast, meditates on what it means to “slip on to the other side” through the eyes of three generations of a very Australian family.
Director Robert Kimber has said the theme of the play can be encapsulated in the idea of ‘moving on’ but at the same time we can never know where the next journey may take us. Time is of the essence in the play as is the existential question of time being seen subjectively by each of us.
The ever-reliable St Jude’s have chosen a recent Neil Simon as their latest offering. Unlike the standard, Simon canon, this piece is gently sentimental and quietly humorous
This production is good and has plenty of laughs and Williamson fans will love it. Galleon continues to provide great community theatre and is well supported for good reasons.
Six mature women from the Women’s Institute in the North of England have all experienced loss and so raise money for a settee in a nearby cancer ward.
Soulmates' is a humorous, playful and emotional play delving into the literary world debate over commercial literature versus artistic literature.
Bill, escaping his former life hides in his remote house/book shop, caring for his ageing father. Diane is stranded in a blizzard. Add a mechanic and his wife, and a mysterious Polar Bear.
Presented by Galleon Theatre Group Reviewed 22 May 2014 This reviewer is in LOVE! – with Galleon Theatre Group’s latest show, the Australian premiere of Loves and Hours. Stephen Metcalfe’s hilarious, yet poignant, modern script and this entire production of it are picture perfect. With no less than forty scenes covering such things as […]
The Club is an iconic Australian play by Australia’s most produced playwright, and as such is often treated with undue reverence. Galleon’s production is a down to earth rendition of this well-written comedy.