Adelaide Cabaret Festival sees Australia's TV and stage favourite, Julia Zemiro, as Artistic Director in 2019!
Strap yourself in for one of the most bizarre and unusual rides of 2018’s Adelaide Cabaret Festival as Queen Kong takes her audience on an unforgettable journey through time and space.
Mitchell has spent two decades with the character Hedwig, a creation built around his own experiences and those potentially connecting to other characters in the Hedwig’s world. His time spent with Hedwig hits the stage in an intimate set of personal stories around the evolution of the character and songs from the Broadway and film musical Hedwig and the Angry Inch.
Ladies and gentlemen, he’s back! The saucy European cabaret star, Sven Ratzke, returns to the Adelaide Cabaret Festival to present audiences with the many mischievous pleasures of his new show, Homme Fatale.
Patti LuPone propels into Don’t Monkey with Broadway, a song that reflects back on the iconic strip with love, and turns to the future with a shudder. It would wrong though to assume that what follows is just a nostalgia trip. LuPone’s voice flows through the years like a river, and collects up some gems that might have otherwise been forgotten. This is a brilliant show from the greatest of the great.
Meet Carmen Frida Leon Davidovich – the fictional love child of the famed Mexican artist, Frida Kahlo and Russian revolutionary and Communist, Leon Trotsky. She is sensual, intelligent, audacious and wry, and she is also intersex, having been born with both male and female genitalia.
Sunglasses at Night is high-level entertainment, from the motley collection of 80s hits you thought you knew (I am still surprised that no one can remember the lyrics to Sunglasses at Night), to the extreme energy provided by Quinn.
The wickedly sultry Carla Lippis returns to Adelaide with the Australian premiere of her acclaimed Edinburgh Fringe Festival show, Cast a Dark Shadow.
From a young girl on the mountain-sides of Peru to a Beverly Hills recluse, Peruvian songbird, Yma Sumac, is introduced to the audience through famed Australian singer, Ali McGregor.
The Cat Empire returned to Adelaide as part of the Adelaide Cabaret Festival to play some of their classic hits, all to the delight of their adoring audience.
Pint-sized New Yorker and singing powerhouse, Christina Bianco, is in town to present her rib-achingly hilarious Me, Myself and Everyone Else - a show definitely not to be missed at this year’s Cabaret Festival!
A burlesque vaudeville show featuring circus acts, magic, striptease, song and dance from seven artists in a cabaret setting. Adults only.
The world’s largest cabaret festival is back from 8 – 23 June featuring more than 330 artists from five counties in 52 performances.
The Adelaide Cabaret Fringe Festival today announced a melting pot of a cabaret program, with a robust collection of styles and influences from a stunning range of local emerging stars and established international performers for its 11th annual festival.
In the 55 years since Edith Piaf’s death, the number of people who have heard her perform live has dwindled. Today, her devotees have to be content with recordings, some film clips, and Michaela Burger.
Movin’ Melvin Brown celebrates the life and music of one the creators of Rock n’ Roll.
After their wildly successful Adelaide Fringe debut last year, The After Hours Cabaret Club is back and bigger than ever!
Adopted into a family of beautiful swans, Duckie doesn’t quite belong, and after being tossed out onto the street she has to rely on her strength and perseverance to achieve her bold ambitions of grandeur.
When you call your drag show “iconic”, not only do you create high expectations in your audience; you also throw down a gauntlet. There’s an implicit challenge. Drag as a genre has a long, proud history;
After a sold out debut and a host of awards at last year's Adelaide Fringe and other festivals since, Gingzilla: Glamonster vs the World is back for another season at Gluttony and we couldn't be more excited to see our favourite Glamonster take the stage again.