You will not leave the theatre unmoved by this excellent piece of work, so be sure to make a date soon with Hedda Gabler.
This concert moved some of the audience to tears, such was the power of the source material and the exceptional performances, connecting with the audience and evoking strong emotional responses.
Ibsen’s enigmatic heroine is brought to life by one of Australia’s most exciting young actors, Alison Bell, in a new adaptation of Hedda Gabler by leading Australian playwright Joanna Murray-Smith.
The production delves into the human psyche, suggesting that there is a vampire within each of us, as well as a potential victim.
The magnificent Laurie Anderson is simply mesmerising. She is at once comedic, political, thought-provoking and enthralling.
This is the last production from State Theatre for this year and they could not ask for a bigger finish. Better still is the fact that it is involving so many South Australians.
Join in the 2013 celebrations as Adelaide Festival Centre celebrates its 40th ruby anniversary and 100th anniversary for the grand old dame Her Majesty’s Theatre with a year-long season of theatre, dance, music, festivals and party celebrations.
This year is the Diamond Anniversary of Agatha Christie’s famous play, perhaps best known for the request at every performance not to tell anybody who committed the crime.
The Australasian cast of the world’s most famous thriller - Agatha Christie’s iconic play The Mousetrap - hits Adelaide today, where it will play at the Dunstan Playhouse from October 9 - 28.
The first piece, Uncharted Seas, is rooted in the traditional Kathak style of dance from Northern India, while the second, Timeless, is a contemporary work that uses Kathak as its basis, but explores new, expanded techniques and ideas.
There is so much to recommend this production and anybody who saw their past productions will need no urging. If you have never seen this group before, you should see this production.
This was a most rewarding experience, both for the chance of seeing this incredible woman at the height of her career, and for the brilliant composition and orchestrations of Ben Walsh played by such a superb group of musicians
Edin Karamazov is a charismatic and endearingly quirky character, with a massive amount of talent, imagination and skill.
This was a thoroughly enjoyable concert and, judging by the final applause, there would not have been a person in the audience who would disagree.
Ana Vidovic’s playing was inspired and inspirational. There is an exceptional fluidity to her playing and she seems to get right to the core of each piece.
This was a great start to the Adelaide International Guitar Festival, and there is so much more to come.
Nathan O’Keefe was an obvious choice to play Pinocchio, with his great ability to create believable and convincing characters and, very importantly, his superb physicality.
Sherie Rene Scott's marvellous voice and the excellent arrangements combine to make al of the songs so amazingly fresh and new.
Katie Noonan’s concert was inspired by seeing a collection of love tokens, created by convicts engraving messages on Cartwheel pennies to send to loved ones left behind.
This was a great concert that gave Espinosa ample opportunity to display the range of her musical interests as well as show the enormous range of her voice and her ability to encompass so many different styles.