Tell me something girl? Are you tired... of not seeing Ricki-Lee in concert?!
It is 1956. Journalist Charmaine Clift and her husband, ex war-correspondent, George Johnston are passionately in love, carving out careers as writers, and moving to the Greek island of Hydra.
Following on from her global phenomenon Nanette, Hannah Gadsby is bringing her new tour to SA.
It’s time to throw a party for the Scarf Lady, and with help from their friends it’s a party she will never forget!
This play is nothing short of a triumph, full of people who’ve been left off the stage for too long, and a piece of this country’s history largely ignored.
Stan Lai is regarded as China’s most respected, contemporary theatre director. 30 years ago he started with a script and an improvising theatre troupe, and developed what became Secret Love in Peach Blossom Land.
In 2010 Korean choreographer Eun-Me Ahn took some of her dancers and three cameras, travelling around the country. On their journey they filmed older women dancing. These were farmers, fishers, shop-owners, horticulturalists. These women are the backbone of Korea, and Ahn wanted to celebrate them. Dancing Grandmothers is a work which grew out of that initial tour and combines dance, film and movement in a celebration of that most overlooked demographic: the older woman.
Rhonda Burchmore (OAM) is a true icon of the Australian entertainment world and Glam Arts Editor, Brian Godfrey interviews her about her upcoming visit to Adelaide with "ABBAsolutely Fabulous"
Lara Mulcahy is a WAAPA graduate with over 20 years show business experience on stage and in film and television, including: playing Madame Thenardier in Cameron Mackintosh’s 25th Anniversary production of Les Miserables; appearing in no less than three Baz Luhrmann films i(Natalie in Strictly Ballroom; Mome Fromage in Moulin Rouge, and the box-office hit The Great Gatsby; and receiving rave reviews for her role as Rosie in the original Australian Cast of Mamma Mia!
October looks set to be an ABBA-mazing month here in Adelaide - in particular, at the Adelaide Festival Centre. On the 9th, The Festival Theatre will be ringing with Mamma Mia! But to get us all in the mood, two of the original Aussie Mamma's from 2001 will be kicking up a storm three days before on the 6th Oct, at the Dunstan Playhouse.
From an all-female version of an Australian classic to the return of a record-breaking hit comedy and a festival highlight starring one of Australia’s brightest musical theatre personalities, State Theatre Company’s 2019 season places audiences in the thrilling predicament of the present.
Wonder and the search for meaning—two things that make life beautiful, and maddening. Tim Winton’s That Eye, The Sky encapsulates this beautifully, and grounds it with small family tragedies in a wholly Australian setting. After father Sam is left incapacitated from a car crash, it is up to his family—Alice, Tegwyn, and the youngest Ort—to care for him and keep their unit together while battling their own hidden traumas.
28 years after its first release Peter Coombe is bringing his Christmas Album back for two shows only at Adelaide Festival Centre’s Dunstan Playhouse.
This show is all about country, self, friendship and the sublime voices of Archie Roach and Tiddas.
Ladies and gentlemen, he’s back! The saucy European cabaret star, Sven Ratzke, returns to the Adelaide Cabaret Festival to present audiences with the many mischievous pleasures of his new show, Homme Fatale.
From a young girl on the mountain-sides of Peru to a Beverly Hills recluse, Peruvian songbird, Yma Sumac, is introduced to the audience through famed Australian singer, Ali McGregor.
Mark Holden has had a long and chequered career, which he talks about in this wander down memory lane, but his focus seems to be more on family and his circus roots. He is the descendant of a long line of big top performers from the Holden Bros Circus and he feels it is still in his blood, and his family.
“If a book is well written, I always find it too short.” Jane Austen’s infamous words find new meaning in the State Theatre Company’s bold production of Sense & Sensibility, adapted by Kate Hamill.
Three ladies having a girls’ night out, workmates who are there for various reasons, and at the next table a couple of blokes waiting for a mate to join them, such a typical scenario.
Brought to Adelaide by creative minds from the Netherlands, this is a show that presents the audience with an unusual telling of World War I, imaginatively using miniature models and sets to tell its story.