All posts tagged "Joanna McWaters"
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1.7KEntertainmentOpera/Theatre Review: Boojum!
A representation of the musings and recollections of a man who wrote nonsense has to venture into the absurd. Although a reflection on the life of Rev C L Dodgson, better known as Lewis Carroll, the tale is not factual
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1.4KArtsOpera Review: Cunning Little Vixen
Leoš Janáček wrote Cunning Little Vixen in1924; it is a work of incredible beauty in the true minimalist form that was his unique signature.
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984Adelaide FringeFringe Review: Tosca
The theme of love and jealousy is familiar in operas; but Puccini does it so well and with beautiful music, well worth a visit by music lovers.
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870ArtsOpera Review: Cavalleria Rusticana/I Pagliacci
This fascinating double bill, directed by Andrew Sinclair, is a strong representation of the works of Mascagni and Ruggero, both first performed in the 1890’s. Sung in Italian with English surtitles both pieces are very focused on presenting the darker side of life.
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736ArtsOpera Review: Cloudstreet
Tim Winton’s 'Cloudstreet' is a modern classic. It is a story of battlers, of great heartache and hidden pain, but also of familial love and hope for the future.
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612Adelaide FringeFringe Review: The Magic Flute
Mozart’s popular Magic Flute has been given a light, modern re-imagining by director and designer, David Lampard, as part of State Opera’s 2016 Evolved season.
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Orpheus in the Underworld (Orphée aux Enfers)
State Opera have found a winning approach to Offenbach’s operetta that is sure to win friends and influence people, but be prepared for aching ribs, because this production will have you laughing your head off. You might just want to see it twice.
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The Magic Flute or The Circus of the Sevenfold Seal of the Sun
A very important thing to be emphasised about this production is that it is perfect for everybody, no matter whether very young or the very opposite. There is something here for everybody, so do yourself a favour and get a ticket before they all go.
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The Gondoliers or The King of Barataria
Once again, Co-Opera presented a terrific evening of entertainment with enthusiastic, energetic, animated and beautifully sung performances, with plenty of focus on the comedy as W. S. Gilbert and Arthur Sullivan once again poke fun at class distinction and hypocrisy.
