All posts tagged "Luke Budgen"
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1.0KEntertainmentTheatre Review: The Prisoner Of Second Avenue
The Prisoner of Second Avenue concerns a middle-aged couple who have an apartment in New York in the seventies when New York had the highest crime rate in the world, rising unemployment in addition to common city problems of noise and smells assaulting the senses.
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740ArtsTheatre Review: Let The Sunshine
This production is good and has plenty of laughs and Williamson fans will love it. Galleon continues to provide great community theatre and is well supported for good reasons.
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686LatestTheatre Review: It’s Just Sex
This Rep show carries a warning “Sexually explicit words and actions”, pretty racy for the staid ‘old lady’ of theatre!
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1.4KLatestAdelaide Rep gets racy with its sexiest show in 107 years!
The comedy,"It's Just Sex" is set for its Australian premiere in what will be The Adelaide Repertory Theatre's raciest show ever staged.
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744LatestAdelaide Rep Launches 2015 Season
The southern hemisphere’s oldest surviving amateur theatre company, The Adelaide Rep, has launched its 2015 season featuring outright melodrama & touching human drama.
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671LatestTheatre Review: One Slight Hitch
Disaster strikes for a bride-to-be when her ex-boyfriend shows up on her wedding day in this funny comedy at the Galleon Theatre Group.
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705LatestTheatre Review: Loves and Hours
Presented by Galleon Theatre Group Reviewed 22 May 2014 This reviewer is in LOVE! – with Galleon Theatre Group’s latest show, the Australian premiere of Loves and Hours. Stephen Metcalfe’s hilarious, yet poignant, modern script and this entire production of it are picture perfect. With no less than forty scenes covering such things as […]
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Review: Accommodations
Accommodations , written by Nick Hall and directed by Warren McKenzie is a funny, witty comedy set in America at a time when women were really starting to assert their independence in life, work and marriage.
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Breaker Morant
Director, Ian Rigney, has assembled an impressive cast for Therry's latest production, the play written in 1978 by Kenneth Ross.
