Making its return this year, the Lucky Dumpling Market will bring enticing sounds and flavours that’ll transport you to the bustling street markets of Asia.
A light show like nothing you’ve ever seen will have you mesmerised as vibrant glowing patterns are coordinated with a unique electronic soundtrack and energising contemporary dance in this luminescent solo dance performance.
Be a guest at one of the largest wedding receptions of the year as Say No More immerses the audience in the humorous, moving and sometimes tragic plights of a variety of women from different countries who have bravely chosen to share their stories.
War Sum Up is a 21st century electronic opera spectacular that musically brings to life the three stories of the archetypal war characters drawn from classic Noh dramas, a form of traditional Japanese theatre and one of the oldest in the world.
Multi-award winning movie Girls Always Happy starring long time actress and producer Nai An and rising star Yang Mingming takes a comedic glimpse at the complexities of an interdependent mother and daughter relationship. It is set in the Hutong province of China.
A world-renowned choreographer and monks from the Shaolin Temple come together to bring their Adelaide audience a jaw-dropping display of physical feats that will truly astonish all.
Most people think of experimental theatre as challenging and polarising but as Nassim proves, it can also be whimsical, funny and deeply moving. It's a play about home, family and the power of language to both connect and separate us,
Sulieman Mountain is a potently comic, gritty, gripping cinematic metaphor exploring experiences of profound dislocation between authentic local Kyrgyzstan culture and overbearing demands of modern globalism.
Set in Damascus in 2015, While I Was Waiting portrays a family - and a country -in limbo.
A portrait of digital disconnection and narcissistic technological practices, Here is the message you asked for… don’t tell anyone else ;-) lures the audience into an un-healthily obsessed society of which we might never return from.
A significant time in Malaysia’s history is captured through the unique storytelling composition of Baling, unravelling the events of the 1955 ‘Baling Talks’ for the waiting audience.
Indonesian performer and choreographer, Eko Supriyanto (also known as Eko Pece), returns to Oz Asia with his solo performance, Salt, an entrancing and meditative piece of Indonesian contemporary dance.
An Indian tale of epic proportions is told through the enthusiasm and brilliance of a single actor, leaving the audience in hysterics of laughter one minute and colossal heartache the next.
Scary Beauty is a vocal performance like no other as, backed by the Australian Art Orchestra, the audience is sung to by a human-like android called Skeleton in this ground-breaking sample of what the future of vocal performances may possibly hold.
Backed by the Australian Art Orchestra, Seoul Meets Arnhem Land brings together South Korean performer, Bae Il Dong, and Indigenous Australian singer, Daniel Wilfred, in one simplistically beautiful performance combining two traditional forms of voice and song.
Japanese pop-punk band, Shonen Knife, now in their 36th year of releasing music and touring worldwide, grace the stage in Adelaide as part of this year’s OzAsia Festival, alongside supporting local band, Satan’s Cheerleaders.
After the most terrible luck with the weather, the crew at Good Fortune Markets have flipped the bird to mother nature and will stay put for another weekend.
It will put a smile on your face to walk around the magical Good Fortune Markets for the coming 9 days of the OzAsia Festival. Here's what to expect.
As we await tonight's launch launch of the Good Fortune Markets, another question arises; what's next for the team behind the Royal Croquet Club?
The MASSIVE boom box from RCC returns to Adelaide for one more hurrah...