The Adelaide Night Noodle Markets have officially finished. As we put our chopsticks down, we reminisce on the feasting and fun that we had when the markets came to town...
Few words can do justice to the magnificence that was the premier of Water Pushes Sand.
An introverted Shanghai divorcee and a cynical Malayan playboy find love amidst the glamour of 1940’s Hong Kong and the invasion by the Japanese.
The OzAsia Festival has brought the best of Asia to Adelaide, from fabulous shows, theatre and performances to the amazing Night Noodle Markets; Make sure you check it all out as the Festival comes to a close this weekend.
Japanese electronic composer and visual artist, Ryoji Ikeda, started work on Superposition in 2012. It questions artistic boundaries.
Yogyakarta based band, Risky Summerbee and the Honeythief, are labelled “Indie pop”, because no one can work out what other genre to put them in.
Founded in 2006 by Maria Tri Sulistyani and Iwan Effendi, Papermoon has built a solid reputation as a world-class puppet company.
Calling all Instragammers, join in on the Instagram relay fun when it hits Adelaide on Sunday as part of United Nations World Tourism Day
The highly anticipated Night Noodle Markets begins tonight in Adelaide (bring on the noodles, dumplings and gyoza) and now you can check out all the restaurants and performers joining in on the party
Australia’s largest food festival, Good Food Month is growing with the popular Night Noodle Markets launching in Adelaide to satisfy the state’s Asian cuisine cravings!
Adelaide Festival Centre today revealed the new contemporary programming for this year’s OzAsia Festival which runs from 24 September – 4 October.
Welcome to ‘The Festival State’ ladies and gents. We see the phrase every single day but probably don’t take the time to think about how lucky that makes us. That means South Australia is the state that officially knows how to throw the best parties! Come on, it even says so on our license plates.
The Adelaide Festival Centre revealed the new contemporary programming for this year's OzAsia Festival at a launch held at the Dunstan Playhouse on Tuesday July 7th.
Adelaide Festival Centre’s OzAsia Festival was recently recognised as a finalist in the arts category of The Australia-China Achievement Awards.
In the lead up to the OzAsia Festival, Helen Feng gave plenty of notice that Nova Heart would push some boundaries and make the audience feel slightly uncomfortable yet mesmerized.They didn’t disappoint, and in a show that went just under an hour, they certainly threw some punches amongst the psych-rock soundtrack to Feng’s monologues and spoken word moments.
Synergy Percussion and Korean music group Noreum Machi reveal that traditional and contemporary are perfect partners in this world-first music project.
Nobody does bizarre quite like the Japanese, and Hitoshi Matsumoto’s latest offering is right up there in the realm of cult classics. From the opening ‘disclaimer’ right until the final post credit scene, R100 is a laugh a minute story of a furniture salesman, Takafumi Katayama, who joins an exclusive S & M club for a year of dominatrix attention which is delivered at random times and places. The catch is, he can’t quit and has to stay the full year. Sounds easy, right?
A docu-drama about the impact that Japanese-Australians had on our country, specifically Yasukichi Murakami, a Japanese photographer who left a lasting legacy.
Three heroines, Wonder Woman, Invisible Woman and Thief Catcher Chat must do battle against the forces of evil and each other when babies begin to go missing.
Ritesh Batra’s beautiful, quiet 2013 feature, The Lunch-box is one of this year’s OzAsia Festival film offerings. Winner of two prizes, including the Jury Grand Prize, at the Asia-Pacific screen awards, I am surprised that it has take so long to find its way to Australia.