Multi-award winning writer, Reg Cribb’s The Return is the Theatre Guild’s latest offering. A tightly scripted piece, with no interval, this is not for the faint-hearted.
James Goldman gives us familial insight into Henry II; Eleanor of Aquitaine; Prince John; Richard the Lionheart; Geoffrey, Count of Brittany; Alais Capet; and Philip of France.
When Megan Dansie directs Shakespeare something special happens. The setting of this piece at the end of WWII gives it depth and a darker side than it previously seemed to show.
For seventeen years, two sugarcane cutters have journeyed to Melbourne to catch up with two women but this year things change as truths are revealed.
World renowned Australian playwright, Andrew Bovell, tells a powerful, confronting story of our past and the treatment – or rather mistreatment – of Aboriginals by the white settlers.
Therry Dramatic Society's latest production of Private Lives has all the humour and Britishness of Noel Coward plus the deft touch and comedy of director Barry Hill all over it.
Tackling Shakespeare is not for the faint hearted. His comedies are well loved, his tragedies well known and his histories often avoided. Richard III has been grouped with the histories and also classed a tragedy, because it is a little of both. Let’s face it - lots of people die!
Lord Of The Flies meets The Office? Or perhaps Devil’s Island and Gilligan’s Island? Either way it’s hell for the participant’s but fun for the audience!
Michael Gow’s play, about three Australian families on their respective summer holidays at the end of 1967, has been a staple of theatre groups since it was written.