American punk-pop band Green Day have turned their seminal album American Idiot into a stage production.
A single, female, psychiatrist, has just returned home to her small house in Randall Canyon, in the Hollywood hills. She locks up behind her, as a psychopath is roaming the Canyon, not killing women, but rendering them lobotomized and paralyzed.
Following his successful 2017 season of Sense and Sensibility in garden locations, clever director Dave Simms (Blue Sky Theatre) this year re-imagines Sheridan’s 18th century comedy of manners in the exuberant primary colours and tabloid-fed rumour-mills of 1950’s London.
Using instruments such as a toilet brush, tuba, musical saw and other weird appliances, the sisters celebrate Christmas in their own unique style.
The lilt of Oscar Wilde’s elegant language, meticulously chosen to delight, provoke and entertain, helps to confect a figgy pudding of fun crammed with bons mots, epigrams and wicked satire.
This beautiful late 20th century reworking of Frank Wedekind’s late 19th century play of the same name pits curiosity against constraint, honesty against deception and sensitivity against repression.
A well-researched and fascinating look at the history of Bram Stoker's Dracula in Australia, centering around the 1929-31 stage production but so much more!
Playful charm, high good humour and practised skill are the hallmarks of this eminently entertaining show. “Spelling Bee” is a compact musical which only calls for a cast of nine.
Two teenage girls try to fit into the popular surfie crowd in 1970s Australia and, in doing so, discover the pitfalls of growing up.
Five characters examine their relationship with Atlanta, a member of their group who is now dead, and with each other.
Distilled from a 19th century novel written by Victor Hugo, with music by Claude-Michel Schönberg, book and lyrics by Alain Boublil and Jeanmarc Natel, 'Les Miserable' has become a world-wide musical theatre phenomenon.
The White House Murder Case is unnervingly topical for a play that first saw the light of day in 1970. Set in 2020, it prophesies the outlandish concept of Americans fighting in a war on foreign soil, whilst having little or no idea of the reasons for the conflict.
On the face of it, this play is simply a series of exchanges between two men who are in training to enter the New York Marathon later in the year.
Although not a household name in Australia, this prolific contemporary German playwright and theatre director has written an allegory bathed in magic realism and tricked out with quirky cinematic idiosyncracies.
As the inaugural project of the State Theatre Company‘s Ensemble, this sharp-eyed adaptation of Ibsen’s proto-feminist tract offers much food for thought.
Celebrating a season of MidWinter Murders, Improv Adelaide is hosting some of the city’s best improvisation troupes, putting them to the test with interactive murder mysteries.
The long-lashed, red-lipped, cabaret star, Lady Rizo, fabulously returns to the Adelaide Cabaret Festival - but this time she’s not alone!
There is nothing nice about this cabaret performance – mercifully! We are confronted, comforted, ostracised, outraged, deliberately confused and just as deliberately cajoled.
Jacques Brel is alive and well and living in Adelaide. At least for one night.
Meow Meow is, at heart, a comedienne, a mistress of comedy in the tradition of Barry Humphries.