This fabulous show by Adelaide actor, writer and now also funeral celebrant, Tracy Crisp is the final piece in her trilogy of almost true, memoir performances.
Penny Ashton returns to the Adelaide Fringe once again to delight and entertain audiences with her charming wit, hilarious facials and first rate humour.
Fringe favourite and darling of the British panel show circuit, Jeff Green, is back to make audiences laugh in his new stand-up show, Wombat Combat and Other Mistakes.
Best of the Edinburgh Fest brings to the Adelaide Fringe a handpicked trio of comedians from the previous year’s Edinburgh Fringe Festival
Kate JasonSmith has an interesting story to tell. Her mother Phyllis’ adventures in Europe as a young woman, or that is how the show comes across as we begin.
It has been two years since Adelaide Comedy took a fringe show to the South and this year they do so with style at the recently refurbished Marion Hotel.
This original play, written, designed and directed by Alex Howarth, is based on real events and was developed around conversations with young people in care in the UK.
New to Adelaide Fringe in 2020 is A Dinosaur Safari, advertised as a show with ‘music, fun, dinosaurs and lots of surprises’.
The Brittas Empire's Tim Marriott returns to Adelaide with two thought-provoking productions
A musical comedy by Eddie Perfect based on the life of Australian cricketer Shane Warne.
Josh Belperio has channelled all his rage and anger at current political and social affairs into a brand new cabaret show, Right Here, Right Now.
Musical material ranges from opera to pop, via country and music theatre, with a pinch of rock thrown in for good measure.
Mental health is coming to the forefront at Feast Festival 2019 in many production and artistic styles on show throughout the festival and Pridevember. #NoFilter is a brilliant contribution to the mix with a well-considered and intricate show.
Numinous Asylum is a developmental piece that explores the multi-faceted world of mental health and the social and psychological approaches found within that sphere.
British playwright and theatre-maker, Geoff Gillham was renowned for his work in theatre-in-education (TIE). An art form sadly much ignored these days, TIE seeks to engage young people in theatre which encourages thought and discussion.
The Australian premiere of Abhishek Thapar’s My Home At The Intersection was an insightful and compelling inclusion for the 2019 OzAsia Festival.
Art provides an interesting example of how one single action (in this case the purchase of a painting) can trigger the emotional fracturing of a 15 year friendship and where the possibility of a resolution seems almost non-existent.
Mock-mediaeval merriment in a fractured fairy-tale story results in a cheery show filled with pratfalls, patter, send-ups and satire.
A play of epic proportions, The Village tells the historic 50-year story of families displaced by the Chinese Communist Revolution. It is an emotional tale that emphasises the importance of family and the changing concept of ‘home’.
Cuckoo is one of three theatre productions in Jaha Koo’s Hamartia Trilogy. All three productions are similarly themed with the main focus being to theatrically communicate how major external events affect the social and interpersonal climate within which one grows up.