This play sings, it gallops along at a pace that threatens to throw you off the bus if you don’t keep up. It throws in your face challenges that make you laugh and wince at the same time. It is a metaphor for the times we live in
A raw, intimate and engaging delve into love and lust, The Cocoon invites its audiences to get up close and personal with the most vulnerable moments within relationships and romantic experiences.
Written by SA’s Jamie Hornsby, this play has great potential but needs work both in terms of the script and the direction.
Nikki Britton has a problem; she’s mid-thirties and is still denying every urge she has ever encountered.
Melanie Gall's sensitive and brilliant interpretation of some Edith Piaf and Jacques Brel favourites in French and English is spellbinding
Comedian Tim Ferguson provides a comical memoir of his life.
It is so good to hear a Capella singers without any assistance or interference from sound systems.
The program for this evening included Schubert’s Symphony No. 3 in D major and Bruckner’s Symphony No 4 in E-flat major, together in the hands of conductor Daniel Harding and the superb Mahler Chamber Orchestra they make for a wonderful evening.
Man With the Iron Neck will have you gasping in wonder at its high-flying actors one minute and wrenching at your heart strings the next.
Jessica Messenger, one of the talented actors who make up the Perth based duo Sense and Spontaneity, gives the audience a very clever and witty performance as Jane Austen: Private Eye and introduces us to a side of Jane Austen we’ve never seen before.
From the creators of the very adult show, Briefs, comes the even more awesome kid's show, Brat Kids Carnival. While this show is silly, mischievous and extremely glittery, it's also full of wicked talent, pumping seventies and eighties music, and daredevil party tricks. And fear not, parents, you're allowed in too!
Passion and drama are always associated with Carmen and Artistic Director Aaron S Watkin has made sure this production is seeped in them.
This is experimental theatre, no fixed dialogue, just general directions in which the conversation may go.
From television's Penn & Teller: Fool Us, to the Melbourne Comedy Festival, Dom is the don for comedy magic.
Part up-beat musical, part theatrical opera, part fable, part epic Hollywood drama – A Man of Good Hope brings to the stage the unimaginable story of an impoverished Somalian refugee in a confronting, yet truly beautiful tale of survival, strength and resilience.
This production reminds us that Jesus was an immigrant, a refugee and was persecuted for no other good reason. A modern parable of his story sees someone like Judas, but is this case called Youssef, being questioned and tortured to reveal the whereabouts of their leader, a preacher from the desert speaking of peace, forgiveness and love.
Most of us have come into touch with breast cancer through family and friends; we feel awkward when confronted with the stories, mostly because we don’t know how to react.
To many of us Bin Laden is a mystery figure. Demonised by the press and often painted as pure evil. If you have ever thought about the subject you may have concluded that he must have been at least charismatic to inspire so many followers, but his motives are not clear to us.
A solo performer on the bare stage, with nothing but a chair and a nebulous backdrop, conjures up a story so real that you can feel with her. Martha Lott gives an incredible performance as a successful fighter pilot whose world spins out of control.
Stephen Valeri masquerading as Johnny Farnham masquerading as Stephen Valeri is a really entertaining hour in the presence of this very vocally talented young man and his equally musically adept co-contributors Kelli-Anne Kimber on keyboards/vocals and Caleb Garfinkel on Guitar/vocals.