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Theatre Review: A Midsummer Night’s Dream

Two couples and an amateur theatre group are caught up in the chaos of mistaken identities and lovers’ quarrels when forest fairies cast a spell on them.

Presented by University of Adelaide Theatre Guild
Reviewed 6 May 2022

Director Megan Dansie is an extraordinary talent in the local theatre community and her passion for Shakespeare is well known and frequently applauded. It’s some surprise therefore, that this steampunk retelling of Shakespeare’s most accessible comedy is not quite the Dream you’d expect.

There are some marvellous moments of comedy with ample laughter and applause, all well earned by the mixed cast of experienced and more novice actors, but it’s that same mix that causes the biggest issue. There is little ensemble work. Instead, it’s a very uneven show, with many players consistently upstaged. Talents like Matt Houston, who rules the stage with a hysterically funny interpretation of two-bit amateur actor Bottom, is left uncontrolled and out of control. For such a seasoned actor, he should have known better, just as Dansie should have applied some brakes.

Fairing much better – and fairer – are the controlled performances of Airlie Windle and Finty McBain as Hermia and Helena. The latter, in particular, can deliver the most delightful facial expressions. These two are so much fun as the friends caught up in the spells of forest fairies. They find the right blend of comedy and angst, bringing their fellow actors along for their scenes instead of overshadowing them. Similarly, Bronwyn Palmer has great stage presence as Oberon, the king of the fairies, and she commands her scenes without leaving anyone behind.

The steampunk design of the show is not overdone. It works effectively. Dansie also makes good use of the costumes to express character and magic. Aubade, Miriam Keane, Dansie herself, and the cast all contributed to the look and style of the costumes. Bravo to all.

This dream is by no means a nightmare. There are many laughs to be had, but the cost is the frustration of watching ego over talent. And that’s a shame, because the elements are all present for it to be quite a magical dream.

Reviewed by Rod Lewis
Twitter: @StrtegicRetweet

Venue: Little Theatre, Union House, Gate 10, Victoria Dr, Adelaide SA 5000
Season: 6 – 15 May 2022
Duration: 2hrs 30mins including interval
Tickets: $20 – $25
Bookings: www.adelaide.edu.au/theatreguild/

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