Sublimely terrifying!
Composer Graeme Koehne, well known for his ballets and orchestral work, combined with talented writer Louis Nowra to write this chamber opera for the Adelaide Festival of Arts 1992.
This world premiere performance is a charming, accessible, entertaining and cleverly educational show which deserves to be seen, heard and enjoyed by children and their carers for many years to come.
Skilfully directed with a top-notch production team, Blackout deserves to be seen, but do not panic if you don’t understand it completely.
This is a new rethinking of Shakespeare's Macbeth to attempt to make us re-evaluate our gender prejudices.
Ibsen’s enigmatic heroine is brought to life by one of Australia’s most exciting young actors, Alison Bell, in a new adaptation of Hedda Gabler by leading Australian playwright Joanna Murray-Smith.
The four performers are universally excellent in their individual characterisations but, more so, their ensemble work is superb. this is an exciting and engaging night of theatre.
Chris and Clair are a married couple in a time of change and it appears that they are drifting apart, but all is not what it seems.
Corey McMahon has not only selected a superb cast, but he has dug deeply into the script to create a tense and disturbing production. Make sure that you see it.
Director, Michael Allen, has found two terrific actors for this production in Joanne Hartstone and John Maurice, and has created a tense drama that does not let up for a second.
Kate Roxby and Brad Williams are well-paired as the agoraphobic duo. Their performance is an intricate verbal dance, weaving around one another, each trying to lead, the power swinging to and fro in stages as they negotiate the complex, multi-layered script.