All posts tagged "Space Theatre"
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615Adelaide International Guitar FestivalAdelaide Guitar Festival Review: The Bridge of San Luis Rey
A triumph
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265Adelaide International Guitar FestivalInterview: Chris Drummond (Director of Brink Productions’ The Bridge of San Luis Rey)
The director of The Bridge Of San Luis Rey and Brink Productions' Artistic Director, Chris Drummond, recently spoke with Ben Stefanoff about the adaptation of Wilder’s novel for the stage
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224ArtsTheatre/Dance Review: Femme
Femme is a journey through femininity, sexuality, gender roles and identity
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1.2KEntertainmentTheatre Review: Euphoria
This is a little gem of theatre. The writing crackles, the acting dazzles, and design is a textbook exemplar of economy, ingenuity and delight.
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373EntertainmentTheatre Review: Hiccup!
Hiccup! offers children a familiar yet fantastical adventure, in which friendship is “just a hi away.”
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502Adelaide FringeFringe Review: Sea Wall
A story of love and loss told with vibrant emotion by Renato Musolino.
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749ArtsOzAsia Festival Review: The Dark Master
Kuro Tanino has dedicated himself to “transcending the conventions of theatre through performance in unconventional spaces”. And like his previous OzAsia show The Dark Inn, The Dark Master does this while populating a surreal world with characters bearing supernatural overtones.
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381EntertainmentThe Big Bang, Robots And A Burrawang Tree – Windmill Launches Their Biggest Live Theatre Season Ever
Windmill Theatre Company today announced its 2020 live theatre season, including a brand new work about the creation of the universe, a regional tour for a robot, and the 10th anniversary return of a fan favourite.
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591ArtsOzAsia Festival Review: Kata
World famous choreographer Anne Nguyen is highly revered in France for her ability to transform the recalcitrant reputation of hip-hop dance into something mysterious, raw and pure.
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1.4KEntertainmentTheatre Review: Girl Asleep
It’s time to reminisce about your teenage years, both its horrors and heart-warming experiences, as we follow 14-year-old Greta on the colourful, dramatic and surreal night of her 15th birthday in Girl Asleep - a truly unique coming-of-age tale.
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970EntertainmentGirl Asleep Returns To The Adelaide Stage After International Success Of Film Adaptation
Girl Asleep, Windmill’s critically acclaimed coming-of-age theatre production that went on to be adapted into an internationally award-winning film, returns to the stage at the Adelaide Festival Centre this week.
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722EntertainmentTheatre Review: I Forgot to Remember to Forget
Adelaide’s world renowned No Strings Attached Theatre of Disability once again shows how it is done.
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820ArtsAdelaide Finally Gets To Experience No Strings Attached’s I Forgot To Remember To Forget
Adelaide’s renowned theatre-of-disability company, No Strings Attached, goes from strength to strength.
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609ArtsCabaret Festival Review: Modern Maori Quartet – Two Worlds
A multi-award winning New Zealand showband, the quartet of finely attired gents successfully evoke the imagery of times gone by. Their latest show Two Worlds is an original play weaving together four stories relating to their native culture.
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1.4KArtsCabaret Festival Review: An Evening with Zoe Coombs Marr
An Evening with Zoe Coombs Marr is a hilarious new show from comedian Zoe Coombs Marr that playfully dissects and toys with traditional comedic styles.
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889ArtsCabaret Festival Review: Larissa McGowan – Cher
Larissa McGowan lists an impressive cohort of collaborators for this show
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713ArtsCabaret Festival Review: Alma Zygier Quintet
Sometimes words just get in the way; this set of songs transcends what you would expect from a jazz quintet.
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689ArtsCabaret Festival Review: Last Dance, The Forgotten Masters
Aaron Cash hits the stage and sings the first few bars of a famous song then, in the manner of all good cabaret performance, this show takes a turn, or two.
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780ArtsCabaret Festival Review: The Letter String Quartet With Tina Del Twist – The Silly Season
Tina del Twist is played by Australian singer/actor/writer/comedian/producer and director Wes Snelling. She is Wes’s bohemian Auntie - the family misfit, never quite fitting in. With a good serve of red wine, in a brandy balloon big enough to bath a baby in, Tina stumbles on stage to begin what she thinks is her Christmas concert.
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1.0KArtsAdelaide Cabaret Festival Review: Unsung – Amelia Ryan and Libby O’Donovan
It is just like the publicity says, it’s raucous, it’s nostalgic and it’s a loud and proud celebration of the incredibly long list of talented Australian women who have graced our pop and rock scene.
