What a pleasant way to spend an evening, dinner and some fine big band music. Billed as the Tunisian Nights Little Big Band these guys are helping to keep swing alive.
Ms Burger has written a modern day odyssey, a journey from Greece to Russia, to Australia to Port Pirie, Adelaide, Coobe Pedy and back again, and all with a sense of excitement, determination, and above all family, because the family is everything!
With his larger than life personality Nath Valvo has the audience hooked from the first sentence and delivers a superb show from start to finish.
Actor, voice-over artist, singer, mother and Scientology survivor, Cathy Schenkelberg is bringing her incredibly successful one-woman shows to the Adelaide Fringe this year.
Pat McCaffrie is an Adelaide-born Melbournite writing for Shaun Micallef's Mad as Hell while appearing in The Leak. Politics and Polar Bears is Pat's latest stand-up news commentary show for the Adelaide Fringe, it has the same wide-ranging shoot-first-ask-questions-later core but feels more refined and fun.
A woman who can’t sleep mulling over memories with a bottle of wine thinks of her Grandfather on the other side of the world, lost in his own forgotten world. This piece is thoughtful, emotive and sad. Dealing with dementia is never easy and when your family commitments take you far away from the loved one who is suffering, the distance can make it surreal.
Definitely gay, but not so stupid, John Robles and his unusual part-Australian, part-American accent take the audience on a journey through the various highs, lows and weight-gaining moments of life as a gay 23-year-old male.
This is a comedy routine that really hasn't a lot of information concerning the Camino de Santiago
Previous winner of Adelaide Pick of the Fringe, and popular regular at Edinburgh Fringe, The Choir of Man has returned to our fair city for a sizeable season at Gluttony.
Matthew Hyde’s tour de force of a performance of DC Moore’s play under the skilful direction of Jason Langley is funny, confrontational, energetic and oh so accurately brought to life in the bar at The Old Treasury Building.
Pokes fun at reality TV with "real justice"
Emma Knights poses the question: 'Why is it that when we think of the piano it is always men that are at the forefront?' She then attempts to answer by exploring the history of female composers/pianists through out the ages to modern times and,more importantly, how this question has influenced her life and career choice.
Michael Shafar's subject matter this time round is one that normally isn't a cause for laughter - Cancer. But the way Shafar, a sufferer of the diease himself (but a survivor), handles it, we don't feel guilty or uncomfortable at all.
Marcus Doherty and Zara Sengstock met while studying film and have created a very funny show with Highly Flammable Love.
Out of the wisps of theatrical fog emerges a spangled, winged creature. Light bulbs gleam all along his huge wing struts. Yup, it’s the Fringe. Mr Chasland, late of New Zealand, performs a show which is a worthy successor to Impostar: Who Does he Think He Is?
Louise Blackwell is one of Adelaide’s treasures. A highly competent and innovative jazz singer, she has spent many years in France, and this Gallic sensibility pervades much of her work.
Heinrich von Herzogenberg, composer and conductor, is hosting a party to celebrate the first performance of Johannes Brahms’ violin concerto: among the guests are Eduard Hanslick, the critic; Josef Joachim, violinist; Fritz Simrock, Brahm’s music publisher; and Clara Schumann, composer, pianist and widow of Robert Schumann. An illustrious list.
Young Adelaide entrepreneur, Benjamin Maio Mackay, is usually busy enough as it is tackling one project after another. But this Fringe season sees his production company, Preachrs Podcast OnLine & OnStage, presenting two shows at almost the same time - Great Detectives 2 and #bunnypastards - Hardly Trivial Trivia.
Rouge is back for another Fringe season with their swanky, sassy and stylish performance of acrobatics, burlesque and opera cabaret.
The theme of love and jealousy is familiar in operas; but Puccini does it so well and with beautiful music, well worth a visit by music lovers.